The EAD Thunderhorse Blendable Fuzz (update 1/27: new enclosures)

Introducing the EAD Thunderhorse, our first production model to escape the confines of our custom shop. The Thunderhorse is a deep fuzz circuit derived from a lesser-known 60′s british pedal combined with a blend circuit that allows the user to dial in the perfect combination of raucous fuzz and pristine clean. This is particularly useful for bassists and down-tuned guitars as it allows the pedal to retain all of the low end lost in the distorting of the signal. The Thunderhorse can also self oscillate when the gain and fuzz volume controls are pushed to the extreme. This oscillation can also be “tuned” by manipulating your guitars volume control.

Thunderhorse
Gain, Fuzz Volume, and Blend Controls
9v DC input (center negative)
1/4″ inputs and outputs
on/off LED
Hand Etched Enclosures (First 50 only) 

$100.00.

Interested? Send me an email at EHCoffey (at) gmail (dot) com

Available Enclosures (1/27) (subject to change)

Thunderhorse Demo Song

First Three Thunderhorses for sale

#002- SOLD

#003- SOLD

#004- SOLD

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EAD Thunder Horse
Nasty Fuzz Pedal w/ Clean Blend
Controls: Fuzz Volume, Fuzz Gain, Blend
Only uses 9v DC external adapter (NO BATTERIES)

$150 USD (Including shipping)

We are now offering pedalboard utility services, including, but not limited to:

-Power Breakout Boxes

-True Bypass Loopers

-Feedback Loopers

-Buffered Patch Bays

 

Everything is built to order with any number of options, loops, etc. We are much quicker than our competitors (i.e. no 6 month waiting list). All wiring is military spec using only the best components.

Email Evan at EHCoffey –at– gmail.com

 

 

I Am Troy Davis

http://www.livestream.com/democracynow

Currently hoping the State of Georgia doesn’t execute Troy Davis.

Dual Boost/OD/Fuzz Pedal

This isn’t intended to be a preview of a pedal I may not manufacture at some point. It is two of the quite famous (for a good reason) Z. Vex Super Hard Ons. It is designed to be used with clean to mildly distorted amps. Basically you use the booster attached to the bottom switch as your rhythm tone and hit the idiot switch in the upper left corner as a sort of solo sound. Or you could preset two different boost volumes for two different overdrive settings, but I never found much of a use in that regard as both of the SHO’s sound better dimed… Built for David Bellard.